Thursday, October 11, 2012
Friday, January 13, 2012

PostHeaderIcon Lifescapes 2012 PRESS RELEASE - āļ āļēāļĐāļēāđ„āļ—āļĒ

āļĄāļŦāļēāļ§ิāļ—āļĒāļēāļĨัāļĒāļžāļēāļĒัāļžāļĄีāļ„āļ§āļēāļĄāļĒิāļ™āļ”ีāļ—ี่āļˆāļ°āđāļˆ้āļ‡āđƒāļŦ้āļ—āļĢāļēāļšāļ§่āļēāđ€āļ—āļĻāļāļēāļĨāļ āļēāļžāļĒāļ™āļ•āļĢ์āđ€āļ­āđ€āļ‹ีāļĒāļ­āļēāļ„āđ€āļ™āļĒ์ “āđ„āļĨāļŸ์āļŠāđ€āļ„āļ›āļŠ์” āļ„āļĢั้āļ‡āļ—ี่ āđ’ 
āļˆāļ°āļˆัāļ”āđƒāļŦ้āļĄีāļ‚ึ้āļ™āđƒāļ™āļ§ัāļ™āļ—ี่ āđ’-āđ• āļุāļĄāļ āļēāļžัāļ™āļ˜์ āđ’āđ•āđ•āđ• 
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āđ„āļĨāļŸ์āļŠāđ€āļ„āļ›āļŠ์ āļŦāļĄāļēāļĒāļ–ึāļ‡ āļ āļēāļžāļ‚āļĒāļēāļĒāļ‚āļ­āļ‡āļŠีāļ§ิāļ• āļāļēāļĢāļ”āļģāļĢāļ‡āļŠีāļžāđāļĨāļ°āļ„āļ§āļēāļĄāđ€āļ›็āļ™āļˆāļĢิāļ‡āļ—ี่āļŠāļēāļĄāļēāļĢāļ–āļĄāļ­āļ‡āđ€āļŦ็āļ™āđ„āļ”้āđƒāļ™āļ„āļĢāļēāļ§āđ€āļ”ีāļĒāļ§

āđ€āļ—āļĻāļāļēāļĨ āļ āļēāļžāļĒāļ™āļ•āļĢ์āđ€āļ­āđ€āļ‹ีāļĒāļ­āļēāļ„āđ€āļ™āļĒ์ “āđ„āļĨāļŸ์āļŠāđ€āļ„āļ›āļŠ์” āļ„āļĢั้āļ‡āļ—ี่ āđ’ āļˆāļ°āļˆัāļ”āļ‰āļēāļĒāļ āļēāļžāļĒāļ™āļ•āļĢ์āļĢ่āļ§āļĄāļŠāļĄัāļĒ āļ‹ึ่āļ‡āļĄีāļ—ั้āļ‡āļ āļēāļžāļĒāļ™āļ•āļĢ์āļŠāļēāļĢāļ„āļ”ี āļึ่āļ‡āļŠāļēāļĢāļ„āļ”ี āļŦāļĢืāļ­āļšัāļ™āđ€āļ—ิāļ‡āļ„āļ”ี āđ€āļžื่āļ­āļˆัāļ”āļ‰āļēāļĒāļœāļĨāļ‡āļēāļ™āļ—ี่āļŠāļ­āļ”āđāļ—āļĢāļāļˆิāļ•āļŠāļģāļ™ึāļāđ€āļี่āļĒāļ§āļัāļšāļŠัāļ‡āļ„āļĄ āđ‚āļ”āļĒāļĄีāļˆุāļ”āļĄุ่āļ‡āļŦāļĄāļēāļĒāļ—ี่āļˆāļ°āļāļĢāļ°āļ•ุ้āļ™āđƒāļŦ้āļ•āļĢāļ°āļŦāļ™ัāļāļ–ึāļ‡āļ§āļ‡āļāļēāļĢāļ āļēāļžāļĒāļ™āļ•āļĢ์āđāļĨāļ°āļœู้āļŠāļĢ้āļēāļ‡ āļ āļēāļžāļĒāļ™āļ•āļĢ์āđƒāļ™āđ€āļ­āđ€āļ‹ีāļĒāļ­āļēāļ„āđ€āļ™āļĒ์ āļ‹ึ่āļ‡āļ§ิāļžāļēāļāļĐ์āļ§ิāļˆāļēāļĢāļ“์āļŠัāļ‡āļ„āļĄāļœ่āļēāļ™āļœāļĨāļ‡āļēāļ™āļ‚āļ­āļ‡āļžāļ§āļāđ€āļ‚āļē āđ€āļ›็āļ™āļāļēāļĢāļ™āļģāđ€āļŠāļ™āļ­āļ„āļ§āļēāļĄāļ‡āļēāļĄāđ‚āļ”āļĒāđ„āļĄ่āļĨืāļĄāļ—ี่āļˆāļ°āļāļĨ่āļēāļ§āļ–ึāļ‡āļ„āļ§āļēāļĄāļˆāļĢิāļ‡āļ­ัāļ™āđ‚āļŦāļ”āļĢ้āļēāļĒāļ”้āļ§āļĒ
Tuesday, January 03, 2012

PostHeaderIcon ACC Fellowship Diary 2011 (2)

Asian Cultural Council Fellowship Diary 2011

 

New and old friends in May

 

Right at the beginning of May, I went to visit Washington DC and Philladapia by bus. Back to New York, a Thai Film program at Asia Society was curated by La Frances Hui. The program was also got a lot of help from Thai Artist Alliance to spread the word to Thai community in New York. There were 2 Thai filmmakers gave a talk during the program, Pen-Ek Ratanaruang and Apichartpong Weerasethakul. I’m a good friend of Apichartpong for a long time. We met several time while he and his boyfriend “Teem” was in New York. It was warm feeling to see friends from home. It’s also good start for me to meet more people in the art/ film scene in New York through him. I also arranged a welcome party for him at the same time a warming party for my new apartment and beginning fellowship in New York. We got complimentary tickets for all Thai Film Program at Asia Society and also Apichartpong’s Solo show program at New Museum and Anthropology Film Archive. I became a good contact with John Mhiripiri from Anthropology Film Archive since then. I went to an alternative film festival “Rooftop Film Festival”. It was held at a rooftop of High school around Lower East side on Grand Street. Through ACC fellowship, I had opportunity to be part of ISCP The International Studio & Curatorial Program in New York.  I can use a studio there from July-September, 2011. Since there was an Open Studio at ISCP in May. I went there first time on the evening of May 13. It was great to see other artists’ works and how the studios function. I met a Japanese artist, Satoru Eguchi there through a good friend of my Thai artist friend, Att Poomtangon. I met Satoru more frequently later in Japan and Thailand in the same year. It was so special month in May, 2011.

PostHeaderIcon ACC Fellowship Diary 2011 (1)

Asian Cultural Council Fellowship Diary 2011

Travel to New York
My fellowship started on 5th of April, 2011. It was my first in the United State. I arrived at JFK in the afternoon around 5 pm. An assigned driver from ACC picked me up. I came with 2 luggages. The driver is an Indian who lived in Italy and then moved to New York since about 15 years ago. He tried to ask me in many things, but I’m more exciting to see the city. The taxi from JFK to the place I will stay took about an hour. Most of the time, we drove through high way. I could not see how the city looks like until we came close to Great Jones Street, the place where I stayed. I saw people walked on street and shops. I seems really lovely city to me.
Thursday, September 29, 2011

PostHeaderIcon Hypothetical: a solo show by Sutthirat Supaparinya

FOR IMMEDIATE RELEASE

Contact: Judith Escalona
Director/Chief Curator
MediaNoche
1355 Park Avenue, Corner Store
New York, NY 10029
212.828.0401
info@medianoche.us
www.medianoche.us



DON’T BELIEVE THE HYPE!
Tuesday, September 27, 2011

PostHeaderIcon IMAGING OUR MEKONG MEDIA FELLOWSHIP 2011

IMAGING OUR MEKONG MEDIA FELLOWSHIP 2011
CALL FOR APPLICATIONS
Inter Press Service (IPS) Asia-Pacific and Probe Media Foundation Inc (PMFI) are
inviting journalists, photojournalists and television journalists to apply for the eighth
round (2011-12) of the Mekong media fellowship programme entitled ‘Imaging Our
Mekong’. This annual fellowship focuses on the vision of the Mekong region at a time of globalisation, paying special attention to transboundary issues as a result of regional development.
Imaging Our Mekong is open to nationals of Cambodia, Laos, Thailand, Vietnam
and China. There are 15 fellowship slots in the 2011-12 cycle for five writers, two
photojournalists and eight television journalists, men and women who have had at least three years’ experience in media.
Attached are the application information and proposal form in English and in your local language.  Applications must be submitted by October 14, 2011.
Please send applications via post or email to:
The Regional Director
Imaging Our Mekong c/o IPS Asia-Pacific
Room 3/6 K Building, 22 Sukhumvit Soi 35,
Wattana 10120 Bangkok, Thailand
Download application/proposal forms in Mekong languages from www.newsmekong.org
Friday, August 12, 2011

PostHeaderIcon āļ›āļĢāļ°āļŠāļšāļāļēāļĢāļ“์āļĢ่āļ§āļĄāļัāļšāļĻิāļĨāļ›āļ°āļ—ี่āļĄāļŦāļēāļ™āļ„āļĢāļ™ิāļ§āļĒāļ­āļĢ์āļ!! (1)


āļ™ิāļ§āļĒāļ­āļĢ์āļāļŠ่āļēāļ‡āđ€āļ›็āļ™āđ€āļĄืāļ­āļ‡āđƒāļŦāļ่āļ—ี่āļžิāđ€āļĻāļĐāđ€āļŦāļĨืāļ­āđ€āļิāļ™āđƒāļ™āļ­āđ€āļĄāļĢิāļāļē āļ™āļ­āļāļˆāļēāļāļ‚ึ้āļ™āļŠื่āļ­āđ€āļĢื่āļ­āļ‡āđ€āļĻāļĢāļĐāļāļิāļˆāđāļĨ้āļ§ āļ§ัāļ’āļ™āļ˜āļĢāļĢāļĄāļāļēāļĢāļŠāļĢ้āļēāļ‡āđāļĨāļ°āđ€āļŠāļžāļœāļĨāļ‡āļēāļ™āļĻิāļĨāļ›āļ°āļ็āļŠ่āļēāļ‡āļĄีāļŠ่āļ§āļ™āļœāļŠāļĄāļ‚āļ­āļ‡āļ„āļ§āļēāļĄāđ€āļŠื่āļ­ āđ€āļŠื้āļ­āļŠāļēāļ•ิ āļāļĨุ่āļĄāļ„āļ§āļēāļĄāļŠāļ™āđƒāļˆ āļ—ี่āļ„āļ§āļēāļĄāļŦāļĨāļēāļĒāļŦāļĨāļēāļĒāļ­āļĒ่āļēāļ‡āđ€āļŦāļĨืāļ­āđ€āļŠื่āļ­ āļŠāļĄāļัāļšāđ€āļ›็āļ™āđ€āļĄืāļ­āļ‡āļ—āļēāļ‡āļœ่āļēāļ™āļ‚āļ­āļ‡āļœู้āļ­āļžāļĒāļžāļˆāļēāļāļ•่āļēāļ‡āļŠāļēāļ•ิāļĄāļēāļ•ั้āļ‡āļ–ิ่āļ™āļāļēāļ™āđƒāļ™āļ­āđ€āļĄāļĢิāļāļēāļ•ั้āļ‡āđāļ•่āđƒāļ™āļ­āļ”ีāļ•āļĄāļēāļˆāļĢิāļ‡āđ† āļĄัāļ™āļ–ูāļāļĢāļ§āļĄāđƒāļŦ้āđ€āļ›็āļ™āļĢัāļāļ—ี่ 11 āļ‚āļ­āļ‡āļŠāļŦāļĢัāļāļ­āđ€āļĄāļĢิāļāļēāđ€āļĄื่āļ­āļ›ี āļž.āļĻ.2321 āļ™ั่āļ™āļ็āļ„ืāļ­ āļŠิāļšāļ›ีāļŦāļĨัāļ‡āļˆāļēāļāļ—ี่āļāļĢุāļ‡āđ€āļ—āļžāđ„āļ”้āđ€āļ›็āļ™āđ€āļĄืāļ­āļ‡āļŦāļĨāļ§āļ‡āļ‚āļ­āļ‡āđ„āļ—āļĒ
āđ€āļ™ื่āļ­āļ‡āļˆāļēāļāļ§่āļēāļ›āļĢāļ°āđ€āļ—āļĻāļ­āđ€āļĄāļĢิāļāļēāļ‚ึ้āļ™āļŠื่āļ­āđ€āļĢื่āļ­āļ‡āļāļēāļĢāđƒāļŦ้āļ„āļ§āļēāļĄāđ€āļ„āļēāļĢāļžāļ•่āļ­āļŠิāļ—āļ˜ิāļ„āļ§āļēāļĄāđ€āļŠāļĄāļ­āļ āļēāļ„āļ‚āļ­āļ‡āļŠāļ™āļ—ุāļāļāļĨุ่āļĄ  āļˆึāļ‡āļ—āļģāđƒāļŦ้āđ€āļĢāļēāļŠāļēāļĄāļēāļĢāļ–āļŦāļēāļŠāļĄāļœāļĨāļ‡āļēāļ™āđ„āļ”้āļ•ั้āļ‡āđāļ•่āļĻิāļĨāļ›āļ°āļ—ี่āđ€āļี่āļĒāļ§āļ‚้āļ­āļ‡āļัāļšāļŠุāļĄāļŠāļ™ āļŠāļ™āļŠāļēāļ•ิ āļĻิāļĨāļ›āļ°āđ€āļžื่āļ­āđƒāļŠ้āļŦāļĢืāļ­āļŠ่āļ‡āđ€āļŠāļĢิāļĄāđƒāļ™āļ›āļĢāļ°āđ€āļ”็āļ™āļ•่āļēāļ‡āđ† āļĻิāļĨāļ›āļ°āļ‚้āļēāļ‡āļ–āļ™āļ™ āļĻิāļĨāļ›āļ°āļ—āļ”āļĨāļ­āļ‡āđ€āļ‰āļžāļēāļ°āļ—āļēāļ‡āđāļĨāļ°āļĻิāļĨāļ›āļ°āđāļ™āļ§āļ‚ึ้āļ™āļŦิ้āļ‡āđƒāļ™āđāļāļĨāļ­āļĢี่āļŦāļĢืāļ­āļžิāļžิāļ˜āļ ัāļ“āļ‘์āđƒāļŦāļ่āđ† āļ—ี่āļ™่āļēāļŠāļ™āđƒāļˆāļ„ืāļ­ āļāļēāļĢāļ—ี่āļŠāļ™āļāļĨุ่āļĄāļ™้āļ­āļĒāđƒāļ”āđ†āļ็āļ•āļēāļĄāļ–ูāļāļีāļ”āļัāļ™āļāļēāļĢāđāļŠāļ”āļ‡āļ­āļ­āļāļ–ืāļ­āđ€āļ›็āļ™āđ€āļĢื่āļ­āļ‡āļ™่āļēāļ­āļēāļĒ āđ€āļĢāļēāļˆึāļ‡āđ€āļŦ็āļ™āļžāļ§āļāđ€āļ‚āļēāđ„āļ”้āļĄีāļžื้āļ™āļ—ี่āđƒāļ™āļāļēāļĢāđāļŠāļ”āļ‡āļ­āļ­āļāđāļ•่āđ„āļĄ่āđ„āļ”้āļŦāļĄāļēāļĒāļ„āļ§āļēāļĄāļ§่āļēāļžāļ§āļāđ€āļ‚āļēāđ„āļ”้āļĢัāļšāļāļēāļĢāļĒāļ­āļĄāļĢัāļšāļ­āļĒ่āļēāļ‡āļĒิ่āļ‡āļĒāļ§āļ”āđƒāļ™āļĢāļ°āļ”ัāļšāđāļ™āļ§āļŦāļ™้āļē
āļ—ุāļāļŦ้āļ­āļ‡āđāļŠāļ”āļ‡āļ‡āļēāļ™ āļิāļˆāļāļĢāļĢāļĄāđ€āļŠāļ§āļ™āļē āļ‰āļēāļĒāļŦāļ™ัāļ‡ āļ„āļ­āļ™āđ€āļŠāļĢิāļ• āđāļĨāļ°āļิāļˆāļāļĢāļĢāļĄāļŠāļĢ้āļēāļ‡āļŠāļĢāļĢāļ„์āļ­ื่āļ™āļ—ั้āļ‡āļ—ี่āļŸāļĢี āđāļ™āļ°āļ™āļģāđƒāļŦ้āļšāļĢิāļˆāļēāļ„āļŦāļĢืāļ­āļ•้āļ­āļ‡āļˆ่āļēāļĒāđ€āļ‡ิāļ™āđ€āļžื่āļ­āđ€āļ‚้āļēāļĢ่āļ§āļĄ (āļŠ่āļ§āļ™āđƒāļŦāļ่āļˆāļ°āļĢāļēāļ„āļēāļ›āļĢāļ°āļĄāļēāļ“ 10 āļ–ึāļ‡ 15 āđ€āļŦāļĢีāļĒāļ) āļ•้āļ­āļ‡āđ€āļĢีāļĒāļāđ„āļ”้āļ§่āļēāđ„āļĄ่āļĄีāļ—ี่āđ„āļŦāļ™āđ€āļ‡ีāļĒāļšāđ€āļŦāļ‡āļē āļœู้āļˆัāļ”āļ™ั่āļ‡āļ„ุāļĒāļัāļ™āđ€āļ­āļ‡āļŦāļĢืāļ­ āđ„āļĄ่āđ€āļˆāļ­āļ„āļ™āđāļ›āļĨāļāļŦāļ™้āļē āđ€āļĢีāļĒāļāđ„āļ”้āļ§่āļēāļ—ุāļāļิāļˆāļāļĢāļĢāļĄāļ•่āļēāļ‡āļĄีāđāļŸāļ™āļ„āļĨัāļš āļĄีāļœู้āļŠāļĄāļ‹ึ่āļ‡āđƒāļ„āļĢ่āļĢู้ āđƒāļ„āļĢ่āļ–āļēāļĄ āļ–้āļēāļžูāļ”āđƒāļŦ้āđ€āļŦ็āļ™āļ āļēāļžāļ็āļ•้āļ­āļ‡āđƒāļŠ้āļ„āļģāļ§่āļēāļ—ุāļāļิāļˆāļāļĢāļĢāļĄāļ—āļēāļ‡āļĻิāļĨāļ›āļ°āđ‚āļ”āļĒāđ€āļ‰āļžāļēāļ°āļŦāļ­āļĻิāļĨāļ›์āđƒāļŦāļ่āđ†āļˆāļ°āļĄีāļœู้āļŠāļĄāļ•ีāļ•ั๋āļ§āđ€āļ‚้āļēāđ€āļŦāļĄืāļ­āļ™āļัāļšāļĄีāļ‡āļēāļ™āļ§ัāļ” āļžāļ§āļāđ€āļ‚āļēāļˆāļ°āđƒāļŠ้āđ€āļ§āļĨāļēāđƒāļ™āļāļēāļĢāđ€āļŠāļžāļœāļĨāļ‡āļēāļ™āļ­āļĒ่āļēāļ‡āļ­้āļ­āļĒāļ­ิ่āļ‡āđ€āļ™ิ่āļ™āļ™āļēāļ™ āđāļĨāļ°āļ–āļāđ€āļ–ีāļĒāļ‡āļัāļšāļัāļšāļ›āļĢāļ°āđ€āļ”็āļ™āļ•่āļēāļ‡āđ†āļ‚āļ“āļ°āļŠāļĄāļœāļĨāļ‡āļēāļ™āļ•āļĨāļ­āļ”āđ€āļ§āļĨāļē āđ‚āļ”āļĒāļšāļēāļ‡āļŦāļ­āļĻิāļĨāļ›์āļĄีāđ€āļ„āļĢื่āļ­āļ‡āļŸัāļ‡āđ€āļŠีāļĒāļ‡āļšāļĢāļĢāļĒāļēāļĒāļœāļĨāļ‡āļēāļ™āđƒāļŦ้āļĒืāļĄ āļŦāļĢืāļ­āđ€āļŠ่āļē āđ‚āļ”āļĒāđ€āļĢāļēāļŠāļēāļĄāļēāļĢāļ–āļāļ”āļ›ุ่āļĄāđ€āļĨืāļ­āļāļŦāļĄāļēāļĒāđ€āļĨāļ‚āļ‚āļ­āļ‡āļœāļĨāļ‡āļēāļ™āđāļĨ้āļ§āļāļ”āļŸัāļ‡ āļŦāļĢืāļ­āđƒāļŠ้āđ‚āļ—āļĢāļĻัāļžāļ—์āļĄืāļ­āļ–ืāļ­āļ‚āļ­āļ‡āđ€āļĢāļēāđ€āļ­āļ‡āļ—ี่āļĢัāļšāļ­ิāļ™āđ€āļ•āļ­āļĢ์āđ€āļ™āļ—āđ„āļĢ้āļŠāļēāļĒāļ‚āļ­āļ‡āļŦāļ­āļĻิāļĨāļ›์āđ„āļ”้āđ€āļžื่āļ­āđ€āļ›็āļ™āđ€āļ„āļĢื่āļ­āļ‡āļĄืāļ­āđƒāļ™āļāļēāļĢāļŸัāļ‡āļ„āļģāļ­āļ ิāļšāļēāļĒāļ‚āļ­āļ‡āļœāļĨāļ‡āļēāļ™ āđ€āļĢีāļĒāļāđ„āļ”้āļ§่āļēāļœāļĨāļ‡āļēāļ™āļ—ัāļĻāļ™āļĻิāļĨāļ›์āļ—ี่āđ„āļĄ่āđ„āļ”้āļĄāļ­āļ‡āļ”้āļ§āļĒāļ•āļēāļ­āļĒ่āļēāļ‡āđ€āļ”ีāļĒāļ§āđāļ•่āļŠāļēāļĄāļēāļĢāļ–āđ€āļŠāļžāđ€āļ™ื้āļ­āļŦāļēāđƒāļˆāļ„āļ§āļēāļĄāļ‚āļ­āļ‡āļœāļĨāļ‡āļēāļ™āļ”้āļ§āļĒ āļžูāļ”āļ–ึāļ‡āļ„āļ§āļēāļĄāđƒāļ„āļĢ่āļ–āļēāļĄ āļ—ุāļāļ„āļĢั้āļ‡āļ—ี่āļ‰ัāļ™āđ„āļ›āļ‡āļēāļ™āđ€āļŠāļ§āļ™āļēāļĒัāļ‡āđ„āļĄ่āđ€āļ„āļĒāļĄีāļ„āļĢั้āļ‡āđ„āļŦāļ™āļ—ี่āđ„āļĄ่āļĄีāļ„āļ™āđ€āļ‚้āļēāđāļ–āļ§āļŦāļĢืāļ­āļĒāļāļĄืāļ­āļ–āļēāļĄāđ€āļĄื่āļ­āļ–ูāļāđ€āļ›ิāļ”āđ‚āļ­āļāļēāļŠāđƒāļ™āļ•āļ­āļ™āļ—้āļēāļĒāļĢāļēāļĒāļāļēāļĢ
Tuesday, July 19, 2011

PostHeaderIcon Rediscover, July 28-31 at The Invisible Dog Art Center, Brooklyn

Thai Arts show case in NYC, 2011. Feel free to come either opening day or the other following 3 days.
 More info, please follow this link http://www.thaiartistsnyc.org/